Helmut Lachenmann's Salut Für Caudwell: an analysis
This analysis of Helmut Lachenmann's Salut für Caudwell (1977) for guitar duet is intended to add to the small amount of English literature that directly examines Lachenmann's music. A description of Salut's construction is offered, decrypting the extended techniques employed and outlining the work's formal design. The concept of ‘musical ruins’, namely degenerative yet familiar material, is deployed as a means to discuss specific moments of the music, and it will be demonstrated that moments of ‘musical ruin’ are inherently linked to aspects of instrumental technique as well as the musical form, making them critical to the reception of Salut. Other analyses of Lachenmann's work are used as methodological models and comparisons, providing a framework within which to examine unfamiliar musical territory, and placing Salut within the repertory of Lachenmann's more thoroughly documented music.
Ruin Renewal: Manchester's Upper Brook Chapel
This essay offers a reflection on the development of the Upper Brook Chapel, Manchester. Taking Robert Smithson's concept of 'ruins in reverse' as a starting point, the essay attempts to articulate how the processes of ruin restoration can lead to an aesthetic that is more ruinous. The essay draws upon existing architecture and natural formations for comparison, before reflecting upon the social implications that arise from such redevelopment projects.
Ruin Renewal: Manchester's Upper Brook Chapel
This essay offers a reflection on the development of the Upper Brook Chapel, Manchester. Taking Robert Smithson's concept of 'ruins in reverse' as a starting point, the essay attempts to articulate how the processes of ruin restoration can lead to an aesthetic that is more ruinous. The essay draws upon existing architecture and natural formations for comparison, before reflecting upon the social implications that arise from such redevelopment projects.
Ruin Renewal: Manchester's Upper Brook Chapel
This essay offers a reflection on the development of the Upper Brook Chapel, Manchester. Taking Robert Smithson's concept of 'ruins in reverse' as a starting point, the essay attempts to articulate how the processes of ruin restoration can lead to an aesthetic that is more ruinous. The essay draws upon existing architecture and natural formations for comparison, before reflecting upon the social implications that arise from such redevelopment projects.
Mark Dyer // Composer
What I find in Raking
For string quartet. Written for the Cuerda Quartet. This piece uses the treble line from 'Yonder comes a courteous knight’, a folk tune recorded in Thomas Ravenscroft's Deuteromelia (1609), as a basis for material. The piece functions as a form of creative-autoethnography, reflecting on, and then documenting in reverse, the creative process taken. I wanted to record the repeated act of collecting and dispersing fragments from the original melody and convey to the listener the meditative effect this had on me as an artist.
Premiered by Cuerda Quartet, Royal Northern College of Music, Mar 2018.
Arditti Quartet, Bilkent University, Ankara, Turkey, Jun 2019.